TOTAL AUTOMATION vs. HUMAN INTERACTION
during the performance we seek to shift the local atmosphere from
dissolution and clumsiness through manual change and ecstatic fiddling
into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. the setup then is what is normally considered a sort of installation. all this with the help of extreme frequencies and distorted, flickering images.
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