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Attack of the mer-LION

during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

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during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

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Will during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

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during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

during the performance we see to shift political atmosphere from this solution and clumsiness through menu change and expect the link into unimagined to stay of complex monopoly struck a common chill and was associate babbling 7 towards end of all offers w/, the organs and organ can be confronted with the stage populated Amish sings a really which can't get harder infinitely rendering a stream of slots and and the anise all this with the help of a shrink frequencies and the store and flickering image's

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S3 and performance proceed to shift. The atmosphere from the solution and guns must remain each fee and expense for the INF into unimagined is the collapse moral monopoly structure and chill and all 6 call-in 7 pulls and of all office with your friends or Karen can be confronted with this the sheet for that and he sings a real image call 1 in for rendering Stephen Scott on the rise of all this without a shrink from list and store the fracturing digest

during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

during the performance we seek to shift local atmosphere from dissolution and clumsiness through menu change and is that the filling into an amended its state of complex monophony structured, and chill for analysts associative battling for that force and offers become the audience and the audience to be confronted with the state population by machines only weeks, get out of infinitely rendering as cream of slight semantic madness all this with the help of extreme frequencies and the salt and flickering image's

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during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

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during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

joined performance wasn't sure is hello the atmosphere from dissolution and clowns from and the ginger and extend the filling into and majesty, basmati structure called into horrendous associative doubling so the Warsaw F Goth become guardians and the audience can become a founder of the speech populate the machines only dish can't get out of infinite the rendering is doing this placement madness all this with the help of extreme frequencies and is golden featuring images

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Revision r1.1 - 05 Jul 2005 - 13:17 - TWikiGuest
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